About the author<\/h3>\n\t\t\tNam\u0131k Kemal (21 Aral\u0131k 1840, Tekirda\u011f – 2 Aral\u0131k 1888, Sak\u0131z Adas\u0131), T\u00fcrk milliyet\u00e7ili\u011finin \u00f6nc\u00fclerinden, Gen\u00e7 Osmanl\u0131 hareketi mensubu yazar, gazeteci, devlet adam\u0131 ve \u015fairdir.Tanzimat d\u00f6neminin en \u00f6nemli d\u00fc\u015f\u00fcnce, sanat ve siyaset adamlar\u0131ndan birisidir. \u201dToplum i\u00e7in sanat\u201d anlay\u0131\u015f\u0131n\u0131 benimsemi\u015ftir. Sanat\u0131, toplumun Bat\u0131l\u0131la\u015fmas\u0131 i\u00e7in bir ara\u00e7 olarak kullanm\u0131\u015ft\u0131r. Eserlerini halk\u0131n anlayabilece\u011fi sade bir dille yazmay\u0131 ama\u00e7lam\u0131\u015ft\u0131r. Divan edebiyat\u0131n\u0131n s\u00fcsl\u00fc-sanatl\u0131 d\u00fcz yaz\u0131s\u0131 yerine, belli bir d\u00fc\u015f\u00fcnceyi iletmeyi ama\u00e7layan yeni bir d\u00fczyaz\u0131y\u0131 kullanm\u0131\u015ft\u0131r. Eserlerinde noktalama i\u015faretlerini kullanm\u0131\u015ft\u0131r. Gen\u00e7li\u011finde Divan Edebiyat\u0131 tarz\u0131nda \u015fiirler yazm\u0131\u015f, Avrupa\u2019ya gittikten sonra yeni edebiyat\u0131 benimsemi\u015f ve o yolda eserler vermi\u015ftir. Nam\u0131k Kemal, Frans\u0131z edebiyat\u0131n\u0131 \u00f6rnek alm\u0131\u015f, romantizmin etkisinde kalm\u0131\u015ft\u0131r. \u015eiirleri bi\u00e7im bak\u0131m\u0131ndan eski, konu bak\u0131m\u0131ndan yenidir. Yurt, ulus, \u00f6zg\u00fcrl\u00fck gibi konular\u0131 i\u015flemi\u015ftir.\n\t\t\t<\/div><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

S\u0131dk ile terkedelim her emeli her hevesi, K\u0131ral\u0131m h\u00e2il ise azmimize ten kafesi; \u0130nledik\u00e7e eleminden vatan\u0131n her nefesi, Gelin imdada diyor, bak budur Allah sesi!   Bize gayret yak\u0131\u015f\u0131r merhamet Allah’\u0131nd\u0131r; H\u00fckm-i \u00e2t\u00ee ne fak\u00eerin ne \u015fehin\u015f\u00e2h\u0131nd\u0131r; Dinle feryad\u0131n\u0131 kim terceme-i \u00e2h\u0131nd\u0131r \u0130nledik\u00e7e bak ne diyor vatan\u0131n her nefesi…   Mahv eder kendini b\u00fclb\u00fcl bile …<\/p>\n","protected":false},"author":1,"featured_media":2376,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,9],"tags":[495,494,16],"_links":{"self":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/2375"}],"collection":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/comments?post=2375"}],"version-history":[{"count":1,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/2375\/revisions"}],"predecessor-version":[{"id":2377,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/2375\/revisions\/2377"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/media\/2376"}],"wp:attachment":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/media?parent=2375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/categories?post=2375"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/tags?post=2375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}