\u00a0 B\u0130R\u0130NC\u0130 B\u00d6L\u00dcM<\/strong><\/p>\n

Uzun S\u00fcren Bir \u00c7\u0131rakl\u0131k:<\/strong><\/p>\n

1916 ‘da Anadolu’nun bir kasabas\u0131nda d\u00fcnyaya geldi, tarih ise kesin olarak belli de\u011fil. Ailesi Dimetoka’dan g\u00f6\u00e7m\u00fc\u015f.Babas\u0131 \u00e7e\u015fitli nikbetler y\u00fcz\u00fcnden hayata k\u00fcsm\u00fc\u015f, \u00e7at\u0131k ka\u015fl\u0131 bir yarg\u0131\u00e7. Annesi silik \u015fahsiyetli ve m\u0131zm\u0131z.<\/p>\n

Cemil Meri\u00e7 cocuklu\u011fundan itibaren ; okulda cocuklar\u0131n d\u00f6vmesi ve hakaret etmelerinden dolay\u0131 d\u00fc\u015fman bir \u00e7evreden ka\u00e7mak ve kendine bir d\u00fcnya in\u015fa etmek i\u00e7in ister istemez kitaplara ka\u00e7\u0131yor. Kendi tabiriyle ” zalim ve k\u0131y\u0131c\u0131 bir ger\u00e7ekten kurtulman\u0131n tek \u00e7aresi, reel d\u00fcnyadan kitaplar d\u00fcnyas\u0131na s\u0131\u011f\u0131nmak.” <\/strong><\/p>\n

Liseyi Antakya Sultanisi daha sonraki ad\u0131yla “Lycee d’Antioce’de iyi bir e\u011fitim alarak okumu\u015f. Burada \u00e7e\u015fitli edebiyat hocalar\u0131ndan ders alm\u0131\u015f kompozisyonda hep birinci olmu\u015f. “\u00d6\u011frendi\u011fim en \u00f6nemli \u015fey akl\u0131na geleni yazmak, yaz\u0131 yazmak de\u011fildir.” Lisede birinci olmu\u015f fakat bitirme imtihan\u0131na 15 g\u00fcn kala okulu b\u0131rakm\u0131\u015ft\u0131r.Yaz\u0131 hayat\u0131n\u0131n ba\u015flang\u0131c\u0131 “Karag\u00f6z” isimli mahalli dergideki \u015fiirlerdir.<\/p>\n

18 Temmuz 1935’te kendini \u015f\u00f6yle tahlil ediyor. “Ya Reyhaniye kahvelerinde \u00f6m\u00fcr \u00e7\u00fcr\u00fcten, vaktiyle lisede okuyan ve \u00e7al\u0131\u015fan bir istidad\u0131 olmad\u0131\u011f\u0131 i\u00e7in vazge\u00e7en bir gen\u00e7 olurum veya hayat\u0131m\u0131 hakikat u\u011fruna feda ederek Nesl-i Ati destanlar\u0131na bir zafer ve fedakarl\u0131k numunesi olarak hakiki insan.” <\/strong><\/p>\n

Daha sonra hayat seyri \u0130mandan \u015f\u00fcpheye, \u015f\u00fcpheden inkara, inkardan maddecili\u011fe. 1939’da mahkemede Marksist oldu\u011funu hayk\u0131r\u0131yor, sadece namuslu olmak “korktu\u011fu i\u00e7in sustu”<\/strong> dedirtmemek i\u00e7in.<\/p>\n

“Gen\u00e7li\u011fim Allahs\u0131z bir \u00e7\u00f6lde ak\u0131p giden ba\u015f\u0131bo\u015f bir \u0131rmakt\u0131,1940’larda yaz\u0131lar\u0131m\u0131n ay\u0131r\u0131c\u0131 vasf\u0131 ukalal\u0131k.”<\/strong> diyor.<\/p>\n

1966’da \u0130stanbul’a geliyor. Salah’\u0131, Oktay Akbal’\u0131, Beh\u00e7et Necatigil’le tan\u0131\u015f\u0131yor, fakat kayna\u015fam\u0131yor. \u00c7\u00fcnk\u00fc onlar \u0130stanbul \u00e7ocu\u011fu idiler oysa ta\u015fradan gelmi\u015fti. Yine o g\u00fcr\u00fclt\u00fcl\u00fc d\u00fcnyadan kitaplar\u0131n asude inzivas\u0131na iltica ediyor. “Kitap bir limand\u0131r benim i\u00e7in, Kitaplarda ya\u015fad\u0131m ve kitaptaki insanlar\u0131 sokaklardakinden daha \u00e7ok sevdim. Kitap benim has bah\u00e7emdir. Hayat yolculu\u011fumun s\u0131n\u0131r ta\u015flar\u0131.”<\/strong> diyor.<\/p>\n

1942’de Elaz\u0131\u011f’a Frans\u0131zca \u00f6\u011fretmeni olarak tayini \u00e7\u0131k\u0131yor ve evleniyor. Han\u0131m\u0131 Co\u011frafya \u00f6\u011fretmeni fakat Elaz\u0131\u011f’da g\u00f6rev verilmiyor. han\u0131m\u0131 hastalan\u0131nca istifa ederek \u0130stanbul’a d\u00f6n\u00fcyor. Kendini Don Ki\u015fot’a benzetiyor; “Kitaplar\u0131n sihirli d\u00fcnyas\u0131nda ya\u015fayan”<\/p>\n

1955’te Otuzsekiz ya\u015f\u0131nda g\u00f6zlerini kaybediyor. Tedavi i\u00e7in Paris’e gidiyor.Bir \u00e7ok ba\u015far\u0131s\u0131z ameliyat ge\u00e7iriyor. G\u00f6zlerini kaybetmesi onu intihar\u0131n e\u015fi\u011fine getiriyor.<\/p>\n

Hint’e ilgi duymaya ba\u015fl\u0131yor. “Hint benim i\u00e7in Asya’n\u0131n ke\u015ffi oldu. D\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131 fethe ko\u015fanlar\u0131n ilk u\u011frayaca\u011f\u0131 \u00fclke Hint olmal\u0131. O \u00fclke, d\u00fc\u015f\u00fcnce h\u00fcrriyetinin vatan\u0131d\u0131r. Hint’ten tesamuhu, d\u00fc\u015f\u00fcncenin g\u00f6kku\u015fa\u011f\u0131n\u0131 b\u00fct\u00fcn renkleriyle sevmeyi, pe\u015fin h\u00fck\u00fcmlerin mahpesinden ka\u00e7may\u0131, hakikatin \u00e7e\u015fitli y\u00f6nlerini e\u011filmeyi, hayat\u0131n her tecellisine sayg\u0131 beslemeyi \u00f6\u011frendim.” diyor.<\/p>\n

Kendine G\u00f6re Hayat\u0131n\u0131n Yorumu:<\/strong><\/p>\n

“Hayat\u0131m bir trajedidir.Birinci perde evleninceye kadar ge\u00e7en zaman: y\u0131ld\u0131zs\u0131z, Allahs\u0131z, c\u0131v\u0131lt\u0131s\u0131z, katran gibi bir gece. V\u0131c\u0131k v\u0131c\u0131k \u0131st\u0131rap. Birka\u00e7 \u015fehri fethe yeten bir enerji yelde\u011firmenlerine sald\u0131rmakla harcan\u0131r. \u0130kinci perde izdiva\u00e7la ba\u015flar. Daha b\u00fcy\u00fck, daha derin, daha uzun ac\u0131lar. Fakat vahalar\u0131 olan bir \u00e7\u00f6l bu ve g\u00f6\u011f\u00fc y\u0131ld\u0131zlarla dolu: \u00e7o\u00e7uklar\u0131m,kitaplar\u0131m….”<\/strong><\/p>\n

Avrupa’y\u0131 De\u011ferlendirmesi:<\/strong><\/p>\n

Benim neslim i\u00e7in Avrupa insan zekas\u0131n\u0131n zirveye ula\u015ft\u0131\u011f\u0131 \u00fclke demektir. T\u00fcrk ayd\u0131n\u0131 Tanzimattan beri bat\u0131y\u0131 heceliyordu ama zirveleri tan\u0131m\u0131yorduk.<\/p>\n

D\u00fc\u015f\u00fcnce Hayat\u0131na y\u00f6n veren ustalar:<\/p>\n

En \u00e7ok sevdi\u011fim Frans\u0131z yazarlar\u0131; Hugo ve Chateaubriant, sonra Balsac; D\u00fc\u015f\u00fcn\u00fcr ve filozof olarakta Voltaire. D\u00fc\u015f\u00fcnce hayat\u0131m\u0131 en \u00e7ok etkileyen kitap Dr. Bucner’in “Madde ve Kuvvet’i” zira bu kitap metaryelist eseri. D\u00fc\u015f\u00fcnce hayat\u0131ma y\u00f6n veren \u00f6teki ustalar; Rousseu ile \u0130bn-i Haldun.<\/p>\n

\u0130K\u0130NC\u0130 B\u00d6L\u00dcM<\/strong><\/p>\n

Ger\u00e7ek Entellekt\u00fcel:<\/strong><\/p>\n

“”Konya yolculu\u011funda (66-67) kaderin kar\u015f\u0131ma \u00e7\u0131kard\u0131\u011f\u0131 gen\u00e7 \u00fcniversiteli “Sen bizden de\u011filsin” dedi. Evet ben onlardan de\u011filim ama onlar kimdi? U\u00e7urumun kenar\u0131nda uyan\u0131yordum. Demek bo\u015funa \u00e7ile \u00e7ekmi\u015f, bo\u015funa yoruldum. Bu h\u00fck\u00fcm hakikatin ta kendisiydi.”” Bundan sonra d\u00fc\u015f\u00fcnce hayat\u0131 de\u011fi\u015fikli\u011fe u\u011fruyor.<\/p>\n

O zamanda \u00fclkenin durumunu \u015f\u00f6yle de\u011ferlendiriyor; “Din problem, \u015fer problemi… Bizim de geveledi\u011fimiz mevhumlar ama kimsenin problemler \u00fczerinde kafa yordu\u011fu yok. Sa\u011f; kovu\u011funa \u00e7ekilmi\u015f, m\u00fcnzevi, mazlum, m\u00fcstarip. Sol; eline tutu\u015fturulan re\u00e7eteyi manas\u0131n\u0131 anlamadan kekeliyor. Tek ortak duygu: D\u00fc\u015fmanl\u0131k. Diyalog yok. Sa\u011f okumuyor, bo\u015funa ba\u011f\u0131r\u0131yorum. Sol diyalogtan ka\u00e7\u0131yor k\u00fcsk\u00fcn.<\/strong><\/p>\n

Ger\u00e7ek entellekt\u00fcel \u00f6nce \u00fclkesinin haklar\u0131n\u0131, d\u00fc\u015fman bir d\u00fcnyaya hayk\u0131rmakla g\u00f6revlidir. Karanl\u0131klar\u0131 devirmek ayd\u0131nl\u0131k \u00e7a\u011f\u0131n kap\u0131lar\u0131n\u0131 a\u00e7mak i\u00e7in en m\u00fckemmel silah Kalem. Kalem sahibine ilk d\u00fc\u015fen\u00a0 vazife tela\u015f etmemek, \u00f6fkelenmemek, k\u0131\u015fk\u0131rt\u0131c\u0131 olmamak. Bir k\u0131l\u0131c\u0131n kazand\u0131\u011f\u0131 zaferi, ba\u015fka bir k\u0131l\u0131\u00e7 yok edebilir. Kalemle yap\u0131lan fetihler tarihe mal olur. Tarihe, yani ebediyete.<\/p>\n

BU \u00dcLKE<\/strong><\/p>\n

I.Siham-\u0131\u00a0 Kaza:<\/strong><\/p>\n

Bu b\u00f6l\u00fcme ismine veren Siham-\u0131 Kaza, Nefi’nin hicivlerini toplad\u0131\u011f\u0131 kitapt\u0131r. Cemil Meri\u00e7’in bu b\u00f6l\u00fcmde \u00e7e\u015fitli konular ve ki\u015filer \u00fczerine denemeleri yer al\u0131yor.<\/p>\n

1.Babil:<\/strong><\/p>\n

Bu b\u00f6l\u00fcme ismine veren Babil kar\u0131\u015f\u0131kl\u0131k manas\u0131nad\u0131r. Yirmid\u00f6rt deneme yeralmaktad\u0131r.<\/p>\n

* Fikir hayat\u0131m\u0131z mefhumlar\u0131n kah g\u00fcl\u00fcn\u00e7, kah korkun\u00e7 maskelerle raksa \u00e7\u0131kt\u0131\u011f\u0131 bir karnaval balosu.<\/p>\n

* Argo, kanundan ka\u00e7anlar\u0131n dili. Uydurma dil tarihten ka\u00e7anlar\u0131n. Argo, korkunun \u00f6rd\u00fc\u011f\u00fc duvar. Uydurma dil \u015fuursuzlu\u011fun. Biri g\u00fcnahlar\u0131 gizleyen pe\u00e7e, \u00f6teki irfan\u0131 bo\u011fan kement. Argo yaral\u0131 bir vicdan\u0131n sesi; Uydurma dil haf\u0131zas\u0131n\u0131 kaybeden bir nesli.<\/p>\n

* Kamus, bir milletin haf\u0131zas\u0131, yani kendisi; heyecan\u0131yla, hassasiyetiyle, \u015fuuruyla. Kamusa uzanan el namusa uzanm\u0131\u015ft\u0131r. Her mukaddesi y\u0131kan Frans\u0131z ihtilali, tek mukaddese\u00a0 sayg\u0131 g\u00f6stermi\u015ftir.: Kamusa<\/p>\n

*\u0130zm’ler idrakimize giydirilen deli g\u00f6mlekleri. \u0130tibarlar\u0131 men\u015fe’lerinden geliyor. Hepsi de Avrupal\u0131.<\/p>\n

*Slogan: Karanl\u0131k kinlerin birbirine sald\u0131rtt\u0131\u011f\u0131 \u00e7\u0131lg\u0131n s\u00fcr\u00fclerin sava\u015f \u00e7\u0131\u011fl\u0131\u011f\u0131d\u0131r. D\u00fc\u015f\u00fcnce ile \u00e7\u0131\u011fl\u0131k ba\u011fda\u015fmaz. \u015euurun sesi \u00e7\u0131\u011fl\u0131k de\u011fildir. Yabani ba\u011f\u0131r\u0131r. Medeni konu\u015fur.<\/p>\n

*\u0130rfan\u0131 hisarla ku\u015fatm\u0131\u015f Do\u011fu, mabede bezirg\u00e2n sokmam\u0131\u015f. Me\u015faleyi \u00e7etin imtihanlardan sonra tutu\u015fturmu\u015f eline. Emaneti ehline tevdi etmi\u015f. M\u00fcrid: ceset. Can: m\u00fcr\u015fidin nefesi. Garabetlerin en mukaddesi, \u015fakirtle \u00fcstad aras\u0131ndaki ba\u011f. As\u0131rlar ge\u00e7ti birer birer s\u00f6nd\u00fc me\u015faleler. \u0130rfan asaletini kaybetti. Haf\u0131zaya \u00e7ak\u0131l ta\u015f\u0131 gibi saplanan bilgi k\u0131r\u0131nt\u0131lar\u0131na yeni bir ad bulduk: K\u00fclt\u00fcr.<\/p>\n

*Dergi bir \u015fehrin i\u00e7 sokaklar\u0131 gibi mahrem ve samimidirler. Devrin \u00e7ehresini makyajs\u0131z olarak onlarda bulunursunuz.<\/p>\n

*Kitap istikbale yollanana mektup, mumyalanan tefekk\u00fcr. Kitap ve gazete; biri zaman\u0131n d\u0131\u015f\u0131ndad\u0131r, \u00f6teki “an”\u0131n kendisidir. Kitap, beraber ya\u015far, beraber b\u00fcy\u00fcr sizinle. Gazete okuyunca biter.<\/p>\n

* Cemil Meri\u00e7’e g\u00f6re kitap i\u00e7in yaz\u0131lm\u0131\u015f en g\u00fczel eser Ruskin’in “Susam ve Zambaklar”.<\/p>\n

* Okuma i\u00e7imizdeki me\u00e7hul \u00e2lemin kap\u0131lar\u0131n\u0131 a\u00e7an bir anahtar. Okuma zihni hayat\u0131 uyand\u0131rmal\u0131, yerini almamal\u0131 onun. Ba\u015fkalar\u0131n\u0131n haz\u0131rlad\u0131\u011f\u0131 bir bal de\u011fil hakikat, onu kitap sayfalar\u0131ndan toplayamay\u0131z, kafam\u0131z\u0131n ve g\u00f6nl\u00fcm\u00fcz\u00fcn i\u00e7 hamleleri ile fethedebiliriz ancak (Proust).<\/p>\n

* Divan edebiyat\u0131nda roman yok. Ni\u00e7in olsun?<\/p>\n

Bat\u0131n\u0131n ilk romanlar\u0131ndan biri “Topal \u015eeytan” kahraman, evlerin dam\u0131na a\u00e7ar, bizi yatak odalar\u0131na sokar. Roman ba\u015flang\u0131c\u0131ndan itibaren bir if\u015fad\u0131r. Osmanl\u0131’n\u0131n ne yaralar\u0131 vard\u0131r, ne yaralar\u0131n\u0131 te\u015fhir etme hastal\u0131\u011f\u0131. Hikayeleri ya bir cengaveri ebed\u00eele\u015ftirir, ya\u00a0 hisse al\u0131nacak bir k\u0131ssad\u0131r.<\/p>\n

2.M\u00fcsta\u011fripler<\/strong>:<\/p>\n

Maarif-i Garbiye’yi \u015eark’a ithale \u00e7al\u0131\u015fanlara verilen isimdir. Bu b\u00f6l\u00fcmde Cemil Meri\u00e7 Osmanl\u0131 \u0130mparatorlu\u011fu’nun Tanzimat sonras\u0131 devrini de\u011ferlendirdikten sonra o d\u00f6nem m\u00fcsta\u011friplerini tan\u0131t\u0131yor. On bir denemeden olu\u015fmaktad\u0131r.<\/p>\n

* Frans\u0131z \u0130htilali yaln\u0131z bat\u0131 feodalitesini de\u011fil, ihtiyar \u015eark’\u0131nda \u00f6l\u00fcm \u00e7an\u0131. Osmanl\u0131 bir ba\u015fka medeniyetin varl\u0131\u011f\u0131n\u0131 o zaman fark eder. Bu tan\u0131mad\u0131\u011f\u0131 d\u00fcnyan\u0131n kesif ve m\u00fcselsel taarruzlar\u0131 kar\u015f\u0131s\u0131nda kuvvetinden \u015f\u00fcphe etmeye ba\u015flar. Hayret yerini hayranl\u0131\u011fa, hayranl\u0131k teslimiyete.<\/p>\n

* Bu zamanda Osmanl\u0131 \u00fclkesinde hakim s\u0131n\u0131f Frans\u0131z ve \u0130ngiliz Burjuvazisi. Ayd\u0131n batan bir gemidedir. Ufukta r\u00fcyalar\u0131n en muhte\u015femi: Avrupa. Servetin, \u015f\u00f6hretin, \u015fehvetin daveti. Avrupal\u0131 dostlar\u0131 l\u00fct\u00fcfkard\u0131rlar. Kar\u015f\u0131l\u0131k olarak biraz “\u0130hanet” istiyorlard\u0131 sadece.<\/p>\n

* Tanzimat sonras\u0131 T\u00fcrk ayd\u0131n\u0131na en \u00e7ok yak\u0131\u015fan s\u0131fat M\u00fcsta\u011frip. Edebiyat\u0131m\u0131z bir g\u00f6lge edebiyat\u0131: D\u00fc\u015f\u00fcncemiz bir g\u00f6lge d\u00fc\u015f\u00fcnce. \u00dc\u00e7 edebi nevi itibardad\u0131r. Taklit, intihal, terc\u00fcme. Ama zirvelerin hi\u00e7 birini tan\u0131m\u0131yorduk. Avrupa’y\u0131 Avrupa yapan d\u00fc\u015f\u00fcnce fatihleriyle temas\u0131m\u0131z yasakt\u0131. Ha\u015fet Kitabevi’nden ibaretti.<\/p>\n

* T\u00fcrk d\u00fc\u015f\u00fcnce tarihi, \u00fclkesiyle g\u00f6bek ba\u011f\u0131n\u0131 koparan bir intelijansiyan\u0131n d\u0131ram\u0131. Bu bahts\u0131z kafilenin, bayra\u011f\u0131n\u0131 ta\u015f\u0131yaca\u011f\u0131 i\u00e7timai bir s\u0131n\u0131f yok. Vatan\u0131nda gariptir. Alk\u0131\u015flay\u0131c\u0131s\u0131: Ekalliyetler ve Avrupa.<\/p>\n

* Abdullah Cevdet, Salih Zeki, Celal S\u0131lay, Ahmet A\u011fao\u011flu, Celal Nuri ve Ali Kemal\u00a0 hakk\u0131nda d\u00fc\u015f\u00fcnceleri yer al\u0131yor.<\/p>\n

II.Biz Ve Onlar:<\/strong><\/p>\n

Bu b\u00f6l\u00fcmde Avrupa K\u00fclt\u00fcr\u00fcyle bizim k\u00fclt\u00fcr\u00fcm\u00fcz\u00fc kar\u015f\u0131la\u015ft\u0131rmaktad\u0131r. Yirmi \u00fc\u00e7 b\u00f6l\u00fcmden olu\u015fmaktad\u0131r. Baz\u0131lar\u0131 \u015funlard\u0131r: Demokrasi Ve \u0130slamiyet, \u0130zmler, Do\u011fu Despotizmi, \u015eiddet, Bir Avu\u00e7 Duman.<\/p>\n

III.M\u00fcnzevi Y\u0131ld\u0131zlar:<\/strong><\/p>\n

Bu b\u00f6l\u00fcmde Cemil Meri\u00e7 dahilerden bahseder.<\/p>\n

Dante,\u0130bn-i Haldun ile Vico, Camoens, Scott, Balzac, Lamennais, Tagor, Said-i Nursi, Kemal Tahir, Kerim Sadi hakk\u0131nda \u00e7ok k\u0131sa d\u00fc\u015f\u00fcnceler yer almaktad\u0131r.<\/p>\n

\n
1. Fildi\u015fi Kuleden: <\/strong><\/li>\n<\/ol>\n

   Bu b\u00fcl\u00fcmde Cemil Meri\u00e7’in kelime \u00fczerine d\u00f6rt kitap \u00fczerine alt\u0131 adet \u00e7ok k\u0131sa d\u00fc\u015f\u00fcnceleri yer al\u0131yor.<\/p>\n

   V.Baki Kalan:<\/strong><\/p>\n

   Bu b\u00f6l\u00fcmde Cemil Meri\u00e7’in \u00e7e\u015fitli konulara ait yirmisekiz adet birer para\u011fraf d\u00fc\u015f\u00fcnceleri yer almaktad\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

   Entellekt\u00fcel Bir Otobiyografi \u00a0 B\u0130R\u0130NC\u0130 B\u00d6L\u00dcM Uzun S\u00fcren Bir \u00c7\u0131rakl\u0131k: 1916 ‘da Anadolu’nun bir kasabas\u0131nda d\u00fcnyaya geldi, tarih ise kesin olarak belli de\u011fil. Ailesi Dimetoka’dan g\u00f6\u00e7m\u00fc\u015f.Babas\u0131 \u00e7e\u015fitli nikbetler y\u00fcz\u00fcnden hayata k\u00fcsm\u00fc\u015f, \u00e7at\u0131k ka\u015fl\u0131 bir yarg\u0131\u00e7. Annesi silik \u015fahsiyetli ve m\u0131zm\u0131z. Cemil Meri\u00e7 cocuklu\u011fundan itibaren ; okulda cocuklar\u0131n d\u00f6vmesi ve hakaret etmelerinden dolay\u0131 d\u00fc\u015fman bir \u00e7evreden …<\/p>\n","protected":false},"author":1,"featured_media":2417,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,540],"tags":[545,541,542,546,544,543],"_links":{"self":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/2416"}],"collection":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/comments?post=2416"}],"version-history":[{"count":2,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/2416\/revisions"}],"predecessor-version":[{"id":2419,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/2416\/revisions\/2419"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/media\/2417"}],"wp:attachment":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/media?parent=2416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/categories?post=2416"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/tags?post=2416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}