\u201cBir \u00e7ok gidenin her biri memnun ki yerinden Bir \u00e7ok seneler ge\u00e7ti d\u00f6nen yok seferinden.”\u00a0<\/strong>\u00a0\u00a0Yahya Kemal<\/p><\/blockquote>\n

\u0130hsan O. Anar s\u00fcrg\u00fcn\u00fc ve s\u00fcrg\u00fcnl\u00fc\u011f\u00fc tan\u0131mlarken, “Ait oldu\u011funuz bir yerin ger\u00e7ekten var oldu\u011funa ve bizzat kendinizin de orada olmad\u0131\u011f\u0131na inan\u0131yorsan\u0131z, hepsinden \u00f6te, oraya eri\u015fmenize engel olan biri ya da bir \u015fey varsa, kelimenin basit anlam\u0131yla s\u00fcrg\u00fcndesiniz demektir.”<\/strong> diyor.<\/p>\n

T\u00fcrk Dil Kurumu s\u00f6zl\u00fc\u011f\u00fcn\u00fcn s\u00fcrg\u00fcn maddesinde de “Ceza olarak, oturdu\u011fu \u00e7evreden \u00e7\u0131kar\u0131l\u0131p ba\u015fka bir yere g\u00f6nderilen kimse”<\/strong>\u00a0yaz\u0131yor.<\/p>\n

Dilimizde s\u00fcrg\u00fcnl\u00fck i\u00e7in daha \u00f6nceleri kalebent, ikamete mecbur, nefy, menfi, menfa, teb\u2018id, mevkuf gibi kelimeler de kullan\u0131lm\u0131\u015ft\u0131r. Mesela m\u00fczmin s\u00fcrg\u00fcnlerden mutasavv\u0131f \u015fair Niyazi-i M\u0131sri\u00a0 Rodos\u2019ta, vatan \u015fairi Nam\u0131k Kemal de Magosa\u2019da kalebent hayat\u0131 s\u00fcrm\u00fc\u015flerdir. Tarihimizde K\u00fctahya, Bursa, Adana, \u00c7orum, Trablusgarp, Ba\u011fdat, Akka, Rodos, Malta, Sinop gibi \u015fehirler s\u00fcrg\u00fcn beldeleri olarak an\u0131lagelmi\u015flerdir.<\/p>\n

Edebiyat\u0131m\u0131zda s\u00fcrg\u00fcn, s\u00fcrg\u00fcn edebiyat\u0131m\u0131z, edebiyat – s\u00fcrg\u00fcn m\u00fcnasebeti lay\u0131k\u0131 ve\u00e7hiyle ele al\u0131namam\u0131\u015f bir konudur T\u00fcrk edebiyat\u0131 tarihinde. Asl\u0131nda, genel olarak bak\u0131ld\u0131\u011f\u0131nda yabana at\u0131lamayacak kadar malzeme oldu\u011fu da g\u00f6r\u00fclecektir.<\/p>\n

Edebiyat tarihimizin me\u015fhur s\u00fcrg\u00fcnleri aras\u0131nda, Abidin Dino, Ahmet A\u011fao\u011flu, Abdullah Cevdet, Ahmet Hilmi \u015eehbenderzade, Ahmet Mithat Efendi, Ahmet Emin Yalman, Aka G\u00fcnd\u00fcz, Ali Kemal, Ali Suavi, Aziz Nesin, Celal Nuri \u0130leri, Cevat \u015eakir Kabaa\u011fa\u00e7l\u0131, Ebuzziya Tevfik, H\u00fcseyin Nihal Ats\u0131z, H\u00fcseyin Cahit Yal\u00e7\u0131n, Mehmet Emin Yurdakul, Nam\u0131k Kemal, Refik Halit Karay, R\u0131za Tevfik B\u00f6l\u00fckba\u015f\u0131, Ruhi Su, Sevgi Soysal, Salah Cimcoz, Said Halim Pa\u015fa, S\u00fcleyman Nazif, Yusuf Kamil Pa\u015fa, Y\u0131lmaz G\u00fcney, Yusuf Ak\u00e7ura, Zekeriya Sertel, Ziya G\u00f6kalp, Naz\u0131m Hikmet, Orhan Pamuk gibi y\u00fczlerce isim vard\u0131r.<\/p>\n

S\u00fcrg\u00fcn \u00f6z\u00fcnde \u00e7eli\u015fkileri, z\u0131tl\u0131klar\u0131, rahat\u0131, rahats\u0131zl\u0131\u011f\u0131, sevinci, h\u00fczn\u00fc, uzakl\u0131\u011f\u0131, yakini, endi\u015feli bir bekleyi\u015fi, bilinmezli\u011fi bar\u0131nd\u0131ran a\u011f\u0131r bir kelimedir. \u00a0Basit anlam\u0131yla,\u00a0\u0131slah-\u0131 nefs edinceye kadar belirlenen bir yerde, genellikle de g\u00f6zden uzak g\u00f6n\u00fclden \u0131rak bir beldede, ikamete mecbur edilmektir.<\/p><\/blockquote>\n

Ne\u015feli ve m\u00fczmin s\u00fcrg\u00fcn\u00fcm\u00fcz Refik Halit, s\u00fcrg\u00fcndeyken kaleme ald\u0131\u011f\u0131\u00a0Memleket Hikayeleri <\/strong>adl\u0131 eseinde, Yat\u0131k Emine<\/strong> adl\u0131 hayat kad\u0131n\u0131n\u0131 ‘\u0131slah-\u0131 nefs\u2019<\/strong> etmek \u00fczere Haymana ovas\u0131nda bir kasabaya g\u00f6nderir. Fakat Yat\u0131k Emine de “Can \u00e7\u0131kar huy \u00e7\u0131kmaz” misali t\u0131pk\u0131 Refik Halit gibi nefsini bir t\u00fcrl\u00fc \u0131slah edemez. Anadolu’yu diyar diyar gezen Refik Halit, nitekim iflah olmaz bir muhalif olarak hayata veda etmi\u015ftir ve s\u00fcrg\u00fcn edebiyat\u0131m\u0131z\u0131n en yetkin \u00f6rneklerini kaleme alm\u0131\u015ft\u0131r. O s\u00fcrg\u00fcnleri ya\u015famasayd\u0131 Refik Halit, s\u00fcrg\u00fcnde kaleme ald\u0131\u011f\u0131 Memleket Hik\u00e2yeleri ortaya \u00e7\u0131kar m\u0131yd\u0131 acaba!<\/p>\n

Kimi zaman siyasal \u015fartlar \u00fclkenin ayd\u0131n kesimini, yazarlar\u0131n\u0131 do\u011fup b\u00fcy\u00fcd\u00fckleri, ruhen, zihnen ve bedenen beslendikleri topraklardan kopar\u0131r. \u00a0Mesela, Naziler s\u00f6zde ari Alman olmayan yazarlar\u0131 ve sanat\u00e7\u0131lar\u0131 tespit edip yasakl\u0131lar listeleri olu\u015fturmu\u015flard\u0131! Yazar ve yay\u0131nc\u0131lar\u0131 ayr\u0131mc\u0131 propagandalar\u0131yla bask\u0131 alt\u0131na almaya \u00e7al\u0131\u015ft\u0131lar. \u0130ktidarlar\u0131nda, kendilerini bila kayd\u00fc \u015fart desteklemeyen yazar ve akamisyenlere kar\u015f\u0131 bask\u0131 ve zulm\u00fc artt\u0131lar. \u0130stenmeyen yazarlara, yay\u0131nc\u0131lara ve bas\u0131n kurulu\u015flar\u0131na kar\u015f\u0131 sald\u0131rganl\u0131klar\u0131n\u0131 art\u0131r\u0131p, onlara \u00e7ok a\u011f\u0131r yasaklar getirdiler. Nazi tehlikesinden sa\u011fa sola ka\u00e7mak zorunda kalan okumu\u015f kesim gittikleri \u00fclkelerde ge\u00e7inmek i\u00e7in her t\u00fcrl\u00fc i\u015flerde \u00e7al\u0131\u015fmak zorunda kald\u0131lar.<\/p>\n

Osmanl\u0131n\u0131n son d\u00f6nemlerinde de \u00e7ok say\u0131da siyasi s\u00fcrg\u00fcn, \u0130stanbul\u2019dan uzakla\u015ft\u0131r\u0131ld\u0131,\u00a0 imparatorlu\u011fun en \u00fccra k\u00f6\u015felerine s\u00fcrg\u00fcne g\u00f6nderildi. \u00a0Sultan Abd\u00fclhamit ve \u0130kinci Mahmut devirlerinde \u0130stanbul\u2019dan bir\u00e7ok kimse haklarinda gelen jurnaller \u00fczerine, merkezden uzakla\u015ft\u0131r\u0131d\u0131, etkisizle\u015ftirilmeye \u00e7al\u0131\u015f\u0131ld\u0131.<\/p>\n

Mesela, Divan \u015fairi Ke\u00e7ecizade \u0130zzet Molla, Sultan 2. Mahmut taraf\u0131ndan Ke\u015fan’a s\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Molla Efendi, orada ge\u00e7irdi\u011fi g\u00fcnlerini, ya\u015fad\u0131\u011f\u0131 sevin\u00e7 ve \u00fcz\u00fcnt\u00fclerini, g\u00f6zlemlerini ve izlenimlerini\u00a0MihnetKe\u015fan<\/strong>\u00a0adl\u0131 mesnevisinde \u015f\u00f6yle dile getirmi\u015ftir:
\n\u201cFelek benden ald\u0131 di\u011fer intikam Kesildi vatandan selam\u00fc peyam \u00c7ekip bam-\u0131 gamdan nice hay u hu Ederdim kebuterli\u011fi arzu\u2026\u201d<\/strong> Ke\u00e7ecizade, fele\u011fin zalimler eliyle kendisinden \u00f6\u00e7 ald\u0131\u011f\u0131n\u0131, kendisinin ise bir g\u00fcvercin olup gurbetteki bu gamdan, kasavetten kurtulmak istedi\u011fini s\u00f6yler.
\nYine, Nam\u0131k Kemal, Ahmet Mithat, Ebuzziya Tevfik, Menapirzade Nuri, Bereketzade \u0130smail Hakk\u0131 1873 y\u0131l\u0131nda ‘muz\u0131r ne\u015friyat’ yapmaktan ayr\u0131 ayr\u0131 yerlere s\u00fcrg\u00fcne g\u00f6nderilerek aralar\u0131ndaki irtibat da kesilmek istenmi\u015ftir. A. Mithat ve Ebuzziya Rodos’a, N. Kemal Magosa’ya, Nuri ile Hakk\u0131 da Akka’ya s\u00fcr\u00fclm\u00fc\u015flerdir. N.Kemal’in\u00a0Vatan Yahut Silistre<\/strong>\u00a0piyesinin seyirciler \u00fczerinde uyand\u0131rd\u0131\u011f\u0131 etki, as\u0131l s\u00fcrg\u00fcn nedenidir. Sicili de \u00e7ok temiz olmayan vatan \u015fairi, “muz\u0131r ne\u015friyat” lar\u0131na s\u00fcrg\u00fcn olarak g\u00f6nderildi\u011fi diyarlarda da devam etmi\u015ftir. Di\u011fer s\u00fcrg\u00fcnlerin su\u00e7uysa “Vatan Yahut Silistre” m\u00fcellifinin yak\u0131n\u0131nda yer almalar\u0131d\u0131r.<\/p>\n

Magosa’daki s\u00fcrg\u00fcnl\u00fc\u011f\u00fcnde N.Kemal, yaz\u0131 hayat\u0131n\u0131n en velud d\u00f6nemini ya\u015far.\u00a0Akif Bey, Zavall\u0131 \u00c7ocuk, G\u00fclnihal, \u0130ntibah, Kasagelo\u00a0adl\u0131 eserleri hep bu s\u00fcrg\u00fcn\u00fcn meyvelerindendir. Hi\u00e7bir hapishane, s\u00fcrg\u00fcn vesair mahrumiyetler h\u00fcriyet \u015fairini, o tutkulu m\u00fccadele adam\u0131n\u0131, dizginleyememi\u015f ve milleti yolunda hizmetten ve azimetten bir an dur edememi\u015ftir.
\nMerkezden uzakla\u015ft\u0131r\u0131larak, \u00e7e\u015fitli yerlere s\u00fcr\u00fclerek etkisiz hale getirilmek istenen Osmanl\u0131 ayd\u0131n\u0131, kendilerine kucak a\u00e7an Mustafa Faz\u0131l Pa\u015fa’n\u0131n maddi destek ve te\u015fvikiyle solu\u011fu Avrupa’da alm\u0131\u015flar; oralarda toplanarak, Avrupa’n\u0131n \u00e7e\u015fitli \u015fehirlerinde bir g\u00fc\u00e7 merkezi olu\u015fturmaya \u00e7al\u0131\u015fm\u0131\u015flard\u0131r. Abdulhalim Memduh, s\u00fcrg\u00fcne g\u00f6nderildi\u011fi Trablusgarp’tan Paris’e ge\u00e7mi\u015ftir. Ali Kemal de s\u00fcrg\u00fcn bulundu\u011fu Halep’ten Paris’e ka\u00e7man\u0131n bir yolunu bulur. Bu \u015fekilde Paris’i tercih eden \u00e7ok say\u0131da Osmanl\u0131 ayd\u0131n\u0131 aras\u0131nda Dr. Abdullah \u015eakir, Bekir Fahri de say\u0131labilir. Bu s\u00fcrg\u00fcnler, \u00f6ncekilerin (Kemal \u015einasi, Ziya Pa\u015fa, Suavi) yakt\u0131\u011f\u0131 h\u00fcrriyet ate\u015fiyle s\u00fcrg\u00fcn yaralar\u0131n\u0131 da\u011flam\u0131\u015flard\u0131r ve oralarda da ara\u015ft\u0131rmaya, tefekk\u00fcre ve ne\u015friyata devam etmi\u015flerdir.<\/p>\n

Abd\u00fclhamit d\u00f6neminin sosyal ve siyasi havas\u0131ndan bunalan bir grup yazar, \u015fair (T. Fikret, H. Kaz\u0131m, M. Rauf…) ise muhayyel bir alem pe\u015findedir. Aileleriyle birlikte Yeni Zellanda’ya gitmeyi ve orada ya\u015famay\u0131 tasavvur etmektedirler. D\u00fc\u015f\u00fcnd\u00fckleri gibi olmaz. Sonunda Fikret, Bo\u011faz s\u0131rtlar\u0131na \u00e7ekilir, plan\u0131n\u0131 kendisinin \u00e7izdi\u011fi A\u015fiyan’\u0131nda adeta bir\u00a0i\u00e7 s\u00fcrg\u00fcn\u00a0ya\u015far.<\/p>\n

Osmanl\u0131’n\u0131n son s\u00fcrg\u00fcnleri de Malta s\u00fcrg\u00fcnleridir. 1919 bahar\u0131nda Malta’ya g\u00f6nderilen s\u00fcrg\u00fcnler aras\u0131nda kimler yoktur ki:\u00a0Ziya G\u00f6kalp, H\u00fcseyin Cahit, Ahmet Emin…\u00a0S\u00f6zde “sava\u015f su\u00e7lusu” tam 144 ki\u015fi… Devlet-i Aliye, Cumhuriyet s\u00fcrg\u00fcn\u00fcn\u00fc verince Malta s\u00fcrg\u00fcnlerinin de menfilikleri son bulur.<\/p>\n

Cumhuriyetin ilk y\u0131llar\u0131nda resmi ideolojiyle ge\u00e7inemeyen bir gizli s\u00fcrg\u00fcnler grubu da vard\u0131r. Bu ayd\u0131nlardan bir k\u0131sm\u0131, Milli M\u00fccadele’de \u00e7ok \u00f6nemli g\u00f6revler de \u00fcstlenmi\u015f, yararl\u0131l\u0131klar g\u00f6stermi\u015f olmalar\u0131na ra\u011fmen, sonradan k\u00fcsm\u00fc\u015fler, k\u00fcst\u00fcr\u00fclm\u00fc\u015flerdir. Bunlardan Akif, Halide Edip gibi zoraki bir g\u00f6n\u00fcll\u00fcl\u00fckle yurt d\u0131\u015f\u0131na s\u00fcrg\u00fcne giderken, Said Nursi gibi yurt i\u00e7inde belde belde s\u00fcrg\u00fcnlerde, mahkemelerde dola\u015ft\u0131r\u0131lanlar ve Y. Kemal, Ru\u015fen E\u015fref, Yakup Kadri gibi yukar\u0131dan gelen bir emirle el\u00e7i yap\u0131larak taltif yoluyla teskin edilenler de vard\u0131r.<\/p>\n

Bir de ikamet etti\u011fi muhitten ayr\u0131lmadan s\u00fcrg\u00fcnl\u00fck ya\u015fayanlar vard\u0131r. \u0130\u00e7lerine, kendi kabuklar\u0131na \u00e7ekilenler… \u0130\u00e7 s\u00fcrg\u00fcn\u00fc ya\u015fayanlar… \u00c7o\u011falanlar… I. Berk, B. Necatigil, A.Ha\u015fim gibi… Ya\u015fama alanlar\u0131n\u0131 daraltan, odalar\u0131nda s\u00fcrg\u00fcn hayat\u0131 ya\u015fayan “kendine s\u00fcrg\u00fcnler”.<\/p>\n

S\u00fcrg\u00fcn, vatanda\u015fl\u0131ktan at\u0131lmak, yurtsuz yuvas\u0131z b\u0131rak\u0131lmak anlamlar\u0131n\u0131 i\u00e7eren naho\u015f bir kelam. Ki\u015finin do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc yerleri, e\u015fi dostu geride b\u0131rakmas\u0131, belki onlar\u0131 bir daha hi\u00e7 g\u00f6rememesi \u00e7ok zordur!<\/p>\n

Hele o s\u00fcrg\u00fcn ayd\u0131n, okuyup yazan, d\u00fc\u015f\u00fcnen biri olursa… bu \u201cm\u00fcfarakat\u201d daha da \u00e7etindir.! Yeni \u00fclkesinde bir yaband\u0131r o. G\u00fcvende hissetmez kendini. Tedirgindir. Yaln\u0131zd\u0131r.<\/p>\n

Ancak, zihnini, maddi ve manevi imkan ve melekelerini iyice derleyip toparlayabilirse gurbetteki ayd\u0131n, etki g\u00fcc\u00fcn\u00fc en \u00fcst d\u00fczeye \u00e7\u0131karabilir.\u00a0 \u00dclkesinden ayr\u0131 kalmas\u0131n\u0131n onu \u00f6zg\u00fcrle\u015ftirici, eyvallahs\u0131zla\u015ft\u0131r\u0131c\u0131, y\u00fcreklendirici bir rol oynayabilir! Ruhen ve zihnen derinle\u015fir, e\u015fya ve tabiata duyarl\u0131\u011f\u0131 artar, hadiseleri sorgulamaya ba\u015flar. Bir yere ait olmamas\u0131 ona zengin bir perspektif kazand\u0131r\u0131r.\u00a0 Yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131 k\u0131\u015fk\u0131rt\u0131r. Kay\u0131plar\u0131n\u0131, arkada b\u0131rakt\u0131klar\u0131n\u0131 yazarak arar; y\u00fcklerinden azade olur, kaybettikleriyle zenginle\u015fir, hafifler.<\/p>\n

Kabul; uzun bir s\u00fcre. s\u00fcrg\u00fcneki ayd\u0131n kendisine dar edilen memleketinden kopamaz. \u00dclkesine dair hayalleri, heyecanlar\u0131 s\u00f6nmek bilmez bir t\u00fcrl\u00fc! \u00dclkesine hizmeti sadece oran\u0131n sorunlar\u0131yla hemhal olmaktan ibaret g\u00f6rd\u00fc\u011f\u00fc d\u00f6nemler ya\u015far. Uzun s\u00fcre, \u00fclkesinden niye koptu\u011funu, kopar\u0131ld\u0131\u011f\u0131n\u0131 sorgular \u00f6fkeyle; bir g\u00fcn \u00fclkesine d\u00f6nece\u011fi g\u00fcn\u00fcn hayaliyle ya\u015far.\u00a0 Kendisini anayurdun d\u0131\u015f\u0131nda ya\u015fad\u0131\u011f\u0131 yerlerde, yabanc\u0131 dilde k\u00fclt\u00fcrde rahat hissedemedi\u011finden, ortalama bir g\u00f6\u00e7menden daha \u00e7ok kimlik sorunlar\u0131, varolu\u015fsal sorunlar, uyum sorunlar\u0131 ya\u015far. Farkl\u0131 dil ve k\u00fclt\u00fcr evreninde \u00f6zk\u00fclt\u00fcr\u00fcyle sa\u011fl\u0131kl\u0131 bir m\u00fcnasebet tesis edemezse, zamanla \u00f6z\u00fcne yabanc\u0131la\u015fma riskiyle de kar\u015f\u0131kar\u015f\u0131yad\u0131r!<\/p>\n

S\u00fcrg\u00fcn i\u00e7in, edebiyat, en g\u00fcvenli limanlardan, en m\u00fctmanin teselli ve ilham kaynaklar\u0131ndan biridir.<\/strong><\/p><\/blockquote>\n

Yazmak ve okumak en etkili terapi bi\u00e7imlerindendir onun i\u00e7in.<\/strong> Yaza yaza da\u011f\u0131t\u0131r efkar\u0131n\u0131, ac\u0131s\u0131n\u0131 hafifletir, al\u0131\u015fmaya \u00e7al\u0131\u015f\u0131r gurbet ellere, var olmaya \u00e7al\u0131\u015f\u0131r…<\/p>\n

Bu y\u00fczden, s\u00fcrg\u00fcndeki yazar\u0131n yazd\u0131klar\u0131 genellikle kendine ve \u00fclkesine dairdir, otobiyografiktir, d\u00f6n\u00fcp dola\u015f\u0131p kendini anlat\u0131r, arar\u2026hat\u0131ralar\u0131n \u0131\u015f\u0131\u011f\u0131nda gurbette kendini yeniden kurgular.<\/p>\n

Mesela, Bodrum\u2019a kalebent olarak g\u00f6nderilen Halikarnas Bal\u0131k\u00e7\u0131s\u0131 ad\u0131yla da bilinen mavi s\u00fcrg\u00fcn Cevat \u015eakir Kabaa\u011fa\u00e7l\u0131 orada yepyeni bir hayat kurar kendisine; yepyeni bir evren. Memleketin bu kuytu k\u00f6\u015fesinde art\u0131k \u201chuzurlu mu huzurlu<\/strong>\u201d, \u00fcretken mi \u00fcretkendir. Aziz Nesin de sever s\u00fcrg\u00fcnl\u00fc\u011f\u00fc:<\/p>\n

\u201cSize o g\u00fcnlerin ac\u0131, \u00e7ok ac\u0131 oldu\u011funu s\u00f6ylemeyece\u011fim. En ac\u0131 g\u00fcnler bile \u00fczerinden y\u0131llar ge\u00e7tikten sonra, dal\u0131nda dura dura ballanan meyvalar gibi tatl\u0131la\u015f\u0131yor. \u015eimdi, s\u00fcrg\u00fcnde ge\u00e7en o ac\u0131 g\u00fcnlerimi and\u0131k\u00e7a g\u00fcl\u00fcyorum. Anlat\u0131nca da dinleyen g\u00fcl\u00fcyor. Anlatamad\u0131klar\u0131m, anlatt\u0131klar\u0131mdan \u00e7oktur. Bak\u0131n ben s\u00fcrg\u00fcnde neler \u00e7ektim demek istemiyorum. Bunu s\u00f6ylemek de, d\u00fc\u015f\u00fcnmek de ay\u0131p\u201d <\/strong>(Nesin 1997)<\/p>\n

Tuhaft\u0131r, edebiyat tarihinde ba\u015far\u0131l\u0131 yazarlar\u0131n ekserisi kendi \u00fclkelerinde horlanan, sayg\u0131 g\u00f6rmeyen, ele\u015ftirilen ve s\u00fcr\u00fclen kimseler aras\u0131ndan \u00e7\u0131km\u0131\u015ft\u0131r. \u0130\u015fte Zola, Dante, Voltaire, Byron, V. Hugo, Oscar Wilde, T.S. Eliot, Hemingway…<\/strong> sadece bir ka\u00e7\u0131.<\/p>\n

Hugo, III. Napolyon\u2019a olan muhalefeti sebebiyle terketmek zorunda kal\u0131r \u00e7ok sevdi\u011fi Fransa\u2019y\u0131. Gitti\u011fi her yerde jurnallenir, \u201cbir \u015faki gibi\u201d takip edilir; zamanla Avrupa\u2019n\u0131n bir \u00e7ok \u00fclkesinde istenmeyen adam ilan edilir. Hayat\u0131 s\u00fcrg\u00fcnl\u00fcklerde ge\u00e7en yazar, Sefiller\u2019i sadece yazmam\u0131\u015ft\u0131r, ya\u015fam\u0131\u015ft\u0131r da\u2026<\/p><\/blockquote>\n

Hizmet Hareketi’nin de entelekt\u00fcel kesimi bug\u00fcn daha \u00e7ok yurtd\u0131\u015f\u0131nda. Dil bilenler, \u00f6\u011frenenler, us\u00fcl erkan bilenler, d\u00fcnya g\u00f6rm\u00fc\u015f kimseler \u00e7o\u011funlukta\u2026<\/p>\n

Bat\u0131 \u00dcniversitelerinde hocal\u0131k pozisyonlar\u0131 elde edenler, akademi kariyer yapanlar, yeniden \u00fcniversite hayat\u0131na ba\u015flayanlar…<\/p>\n

Aralar\u0131nda eli kalem tutan, tutma kabiliyeti ve iste\u011fi olan \u00e7ok isim de var. Sosyal medya da d\u00fc\u015f\u00fcncelerini, hayallerini, duygular\u0131n\u0131 a\u00e7\u0131kl\u0131kla, cesaretle ifade edebilecekleri imkanlar sunuyor kendilerine\u2026<\/p>\n

Bu ki\u015filer, oralarda zamanla yerle\u015fikle\u015fecekler; her ne kadar tamamen unutamasalar da, art\u0131k Ankara\u2019y\u0131, \u0130stanbul\u2019u, T\u00fcrkiye\u2019nin k\u0131s\u0131r siyasetini d\u00fc\u015f\u00fcnmek yerine, mukimi olduklar\u0131 beldelerin yerel meseleleriyle i\u015ftigal edecekler… Misafir olarak bulunduklar\u0131 \u00fclkelerin dillerini, k\u00fclt\u00fcrlerini \u00f6\u011frenecekler. Ufuklar\u0131 geni\u015fleyecek, g\u00f6rg\u00fcleri artacak zenginle\u015fecekler.<\/p>\n

Bir araya gelip yay\u0131n platformlar\u0131 olu\u015fturacaklar. Sesleri yerellikten kurulup evrenselle\u015fecek, eskiden sadece T\u00fcrkiye\u2019ye hitap ederlerken \u015fimdi d\u00fcnya ile hemhal olacaklar. Aralar\u0131ndan nice yazarlar, bilimadamlar\u0131….\u00e7\u0131kacak.<\/p>\n

Dergiler, gazeteler, internet siteleri a\u00e7acaklar. Bunlar i\u00e7in kimseden bir tensip, talimat ve yard\u0131m beklemeyecekler. Hizmet Hareketi\u2019nin temel umdeleri \u0131\u015f\u0131\u011f\u0131nda, ba\u011f\u0131ms\u0131zca d\u00fc\u015f\u00fcnceler \u00fcrtecekler, sanat icra edecekler\u2026Mesela Nazi zulm\u00fcn\u00fc en iyi anlatanlardan Eli Wiesel, Primo Levi, Helene Berr gibi kalemler \u00e7\u0131kacak aralar\u0131ndan.<\/p>\n

Mesela b\u00fcy\u00fckbabas\u0131 T\u00fcrkiyede zulme u\u011fram\u0131\u015f biri, otuz k\u0131rk y\u0131l kadar sonra, Anne Frank etkileycili\u011finde, i\u00e7tenli\u011finde yaz\u0131lm\u0131\u015f annesinin g\u00fcnl\u00fcklerini \u00e7\u0131karacak g\u00fcn y\u00fcz\u00fcne ve z\u00fclm\u00fcn tarihini sil ba\u015ftan yeniden yazacak, anlatacak…Yine, polis babas\u0131 apar topar s\u00fcrg\u00fcnden s\u00fcrg\u00fcne g\u00f6nderine bir \u00e7ocuk, Tatiana de Rosneyin kaleme ald\u0131\u011f\u0131 bir Sarahs Key tad\u0131nda romanlar yazacak, filimler \u00e7ekecek…<\/p>\n

Ezc\u00fcle, Hizmet Hareketi\u2019nin ayd\u0131n kesimi yurtd\u0131\u015f\u0131nda hayata k\u00fcsmez, rehavete kap\u0131lmaz ise, kalitesine kalite katar. Sesi daha g\u00fcr, bu sefer evrensel \u00e7apta \u00e7\u0131kar. Yerini yurdunu terketmek, kerhen s\u00fcrg\u00fcn olmak (siz buna hicret de diyebilirsiniz) siyasal bask\u0131lar\u0131n sebep oldu\u011fu psikolojik travmalar ya\u015famak ayd\u0131n kesim i\u00e7in \u00e7ok \u00f6nemli kazan\u0131mlara vesile olabilir.<\/p>\n

Ruhlar, zihinler, dima\u011flar, zorluklarla, \u00e7etin imtihanlarla birlikte terakki eder, kemale erer; ve erge\u00e7 meyvelerini verir.<\/p>\n

S\u00fcrg\u00fcn ve Hizmet Ayd\u0131n\u0131<\/a><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cBir \u00e7ok gidenin her biri memnun ki yerinden Bir \u00e7ok seneler ge\u00e7ti d\u00f6nen yok seferinden.”\u00a0\u00a0\u00a0Yahya Kemal \u0130hsan O. Anar s\u00fcrg\u00fcn\u00fc ve s\u00fcrg\u00fcnl\u00fc\u011f\u00fc tan\u0131mlarken, “Ait oldu\u011funuz bir yerin ger\u00e7ekten var oldu\u011funa ve bizzat kendinizin de orada olmad\u0131\u011f\u0131na inan\u0131yorsan\u0131z, hepsinden \u00f6te, oraya eri\u015fmenize engel olan biri ya da bir \u015fey varsa, kelimenin basit anlam\u0131yla s\u00fcrg\u00fcndesiniz demektir.” diyor. …<\/p>\n","protected":false},"author":1,"featured_media":2286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,5],"tags":[1116,23,273,36,420,58,573,1386],"_links":{"self":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/3919"}],"collection":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/comments?post=3919"}],"version-history":[{"count":1,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/3919\/revisions"}],"predecessor-version":[{"id":3920,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/posts\/3919\/revisions\/3920"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/media\/2286"}],"wp:attachment":[{"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/media?parent=3919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/categories?post=3919"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kocar.org\/wp-json\/wp\/v2\/tags?post=3919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}